We all have wounds. We use dance as a therapy. Some of the women who dance have suffered gender violence, but I wanted there to be other women, and men as well. It's hard to differentiate between them when they dance. We create a harmony in which fear melts away.
Ana Rosa finished Audiovisual Communication at the University of Seville in 1994, and since then works in the production letter M, in which she develops her expertise in production and management with a multitude of short films and television programs, from documentaries to youth programs. She works with other producers as a production assistant on such films as 'Solas' and 'Padre Coraje' by Benito Zambrano, 'Celos' by Vicente Aranda and 'Yerma' by Pilar Tavora. She develops later assistantship work direction and script in more than a dozen productions, including 'Carlos contra el mundo' of Chiqui Carabante, 'Quince días contigo' and 'Déjate caer' by Jesús Ponce, 'El impostor' by Ricard Figueras, "¿Y a mi quién me cuida? by Ángeles González Sinde.
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