IMAGINARIO

Stories are made with remnants of life. Like those of Pedro, an unsucessful script writer who has novelist's pretentions and who waits for the opportunity to publish his manuscrit. Or those of Trinidad -retired actress and married novelist with a gambler who wakes up in debts- who also awaits for the publication of her novel. The stories tangle up the life and make appointments with strangers: like the one of the gambler lawyer who, lost in debts, played the vicissitudes of his wife with an undelicate secretary. The fiction stories have a proper recipe that knew uncle Celerino. But uncle Celerino died without having let documents, because he was illiterate.